Film &
Production
Matt Parker & Alan Hampton as Pat & Tap.
Bernard Herrmann. Henry Mancini. Les Baxter. John Wick.
Matt Parker and Alan Hampton have been writing music together since they first met in 2000. Their collaboration began with their first film project in 2005, where they discovered a unique synergy between Matt's saxophones and Hampton's acoustic bass and guitars. Over the years, their compositions have paid homage to the great film composers Bernard Herrmann, Henry Mancini, and Les Baxter — lush, atmospheric, and cinematically alive.
The pair work under the name Pat & Tap. Most recently, they contributed significantly to the score of Chris Pine's debut directorial film, "Poolman" (2023) — a testament to their enduring partnership and ability to blend traditional and contemporary elements into evocative, memorable soundtracks.
"A solar system of creative inspiration."— Alan Hampton on Matt Parker
Alan Hampton is a bassist and composer who has performed with Gretchen Parlato, Sufjan Stevens, and Andrew Bird. He co-produced Matt's debut album Worlds Put Together in 2013. Outside of Pat & Tap, the friendship has been one of the most generative creative relationships in Matt's career — spanning jazz, film, and the kind of late-night music-making that starts conversations that last twenty years.
Their work spans television, feature film, and production music — rooted in craft, influenced by the golden age of film scoring, and unafraid of the genuinely strange.
Screen Credits
- Poolman (2023)Feature film · Chris Pine's directorial debut
- John Wick (2014)Evil Man Blues · The Candy Shop Boys · Lionsgate
- John Wick: Chapter 4 (2023)Music Department
- Power (TV Series)Tenor Saxophone · Starz
- Exit Plan (2019)Tenor Saxophone
- The Cruel Tale of the Medicine Man (2016)Composer · Sitges Selection
The Candy Shop Boys in the opening scene of John Wick. Matt Parker on saxophone, Jesse Elder on piano. One of the most recognized saxophone moments in recent film history.
Horns across jazz, soul, cinematic, and ambient contexts — the production side of Matt's work spanning two decades of screen credits.